The landscape of Christian apologetics is vast, spanning from the practice of defending the faith via starting with the belief that Christianity is true (presuppositional) to focusing on creatively expressing the imagination that’s grounded in the character of God (imaginative).[1] There are three modes of persuasion accounted for when discussing the different representations of apologetics:…

IMAGINATIVE apologetics promotes and pursues what classical apologetics lacks: meaning through metaphor. This lack is not the focus of the book but rather the catalyst, which is to complement the rational and evidential with the imaginative.  

Hello Friends and Family, My mind is constantly swirling with creative ideas. I’ve never been so inspired to write and yet I’ve never been so discouraged and broken. Momentarily, personal matters have culminated into a powder keg. Pray. Breathe. Exercise. Pray. Write. Work. Pray. Have been my constant companions who’ve gotten me through these waves…

Christmas for Ginny has always been the most important day of the year. It’s a magical day when anything is possible, like the unprecedented miracle of God taking on human form; it’s when a supernatural star led the Magi to the infant God-man, lying helplessly in a symbolic feeding trough; and it’s when men met God face-to-Face in a humble manger to worship him and feed from him. Ginny loves Christmas for both its majestic beauty and historical truth. She understands, however, that this sacred day has been tainted with folklore and commercialism, but experience and wisdom enable her to see these gilded traditions as a way to bridge the gap between the sacred and the profane. For Ginny, a gift for someone special on Christmas is a reminder of the greatest Gift ever given. So naturally Ginny wants to give Brad something special for Christmas. But she, too, finds herself without two pennies to rub together. Then, suddenly, an idea flashes across her mind that makes her eyes water, feeling the internal warmth that comes with giving wholeheartedly.

When you were young, before my siblings and I were born, before you kissed our father— elevating him from bachelor to prince— you made shadows of figure 8 patterns with your shoulders and head on the Nicaraguan dirt.   A pendulum swing of brown cascading pigtails and a homemade skirt that made all the rich…

ABSTRACT Prince Myshkin’s phrase “Beauty will save the world” needs to be questioned and tested in order to perceive as to whether or not it is possible to accomplish its purpose. Can Beauty, on its own, detached from the transcendentals of Goodness and Truth, save the world? This article studies Aleksandr Solzhenitsyn’s Nobel Prize speech,…

“I’m single-minded. I’m deceptive. I’m obsessive. I’m selfish.” Shamelessly, he continues, “I have no empathy. I don’t respect you. I’m never satisfied. I have an obsession with power. I’m irrational. I have zero remorse. I have no sense of compassion. I’m delusional. I’m maniacal.” He finally ends the transvaluation of vices with slogans such as “I think I’m better than everyone else,” “I want to take what’s yours and never give it back” and “What’s mine is mine and what’s yours is mine.” The commercial finally concludes with bright red words in all caps: “WINNING ISN’T FOR EVERYONE.”

The strength of this view is that with the ontological assistance of all three transcendentals, Christianity is simultaneously better represented and defended, while exposing the weaknesses of paganism.

Christian apologetics exists to defend the faith from erroneous although imaginative arguments. It’s no wonder why apologists hold human imagination with severe suspicion. But as implied, it’s not the imagination itself that should be held in question, it’s the irrational and/or unscrupulous use of it, which has a tendency to smuggle in self-serving desires, which…

“All the world’s a stage” where we play different roles and parts, “men and women merely players” (Shakespeare, As You Like It, Act II Scene VII, Lines 1-2). The stages of life (infancy, childhood, lover, soldier, judge, old age, and return to childhood “sans teeth, sans eyes, sans taste, sans everything,” line 28) are indeed…