Christian apologetics exists to defend the faith from erroneous although imaginative arguments. It’s no wonder why apologists hold human imagination with severe suspicion. But as implied, it’s not the imagination itself that should be held in question, it’s the irrational and/or unscrupulous use of it, which has a tendency to smuggle in self-serving desires, which…

No sooner than he closes his eyes, he feels a sharp pain in the frontal cortex of his brain. His training has begun. The pain remains in the frontal lobe for over three hours with fluctuating degrees of intensity. Mentally, physically, and emotionally, he’s depleted of energy and patience to the point of insanity. He feels conflicted, wanting to proceed with his transhumanist project in order to be perfect and live forever, but his suffering is unbearable.

This short story plays off Kierkegaard’s parable of “The Happy Conflagration” with assistance from Douglas Groothuis’s book Philosophy in Seven Sentences, primarily his focus on the Dane’s extrapolation of sin in its two forms.

“All the world’s a stage” where we play different roles and parts, “men and women merely players” (Shakespeare, As You Like It, Act II Scene VII, Lines 1-2). The stages of life (infancy, childhood, lover, soldier, judge, old age, and return to childhood “sans teeth, sans eyes, sans taste, sans everything,” line 28) are indeed…

The first masked man provokes the captive: “Any last words before I separate your skull from your body?”

The effect of the Enlightenment bifurcated not only faith and reason but also imagination and knowledge. “[S]ome philosophers of the Enlightenment thought that image and imagination simply clouded and obscured the pure dry knowledge that they were after” (Guite, Faith, Hope and Poetry, 2). This was done in vast contrast to the age when fables,…

Nathanael grabs the spear. He shuts his left eye to place his prey in his cross-hairs, then releases the javelin with Odyssean accuracy. But the creature parries. The spear gets stuck in the heart of a warrior in a painting that the king had commissioned 15 years prior.

The story of Salvador is complete! It’s taken me 20 years to write it, taking time off in-between to attend several prestigious seminaries to educate myself on the seminal topics of the novel, such as psychology, theology, philosophy and ethics, which have all influenced its themes, such as suffering, hope, doubt, despair, courage, paradox, faith,…

In order to invoke imagination, we must break free from the contempt of illusion by appealing to the wondrous child in people. Doubt is the current condition; impartiality is the preferred attitude; familiarity—the hackneyed cavity; and so the method is to strike the “nerve of novelty” (as Chesterton brilliantly puts it), in order to achieve the goal of being winsome, like a fetching story…

“The gluttonous full moon shines a wide-angle lens at the ocean’s curvy body below. Warm, salty hips give birth to an El Niño storm….”